Sir Henry Raeburn

Raeburn painted Edinburgh at the height of its Enlightenment — judges, lairds, merchants and their children, lit from one side and set against nothing at all. He worked without preliminary drawing, straight onto the canvas, which is why the faces have the alertness of someone caught mid-sentence.

Archival prints from the collections of the Metropolitan Museum of Art and the Art Institute of Chicago. Framed or unframed, made to order, shipped worldwide.